“Then stirs the feeling infinite, so felt In solitude, where we are least alone.” From Childe Harold’s Pilgrimage by Lord Byron

George Gordon Byron, 6th Baron Byron, FRS, known simply as Lord Byron, was an English poet, peer and politician who became a revolutionary in the Greek War of Independence, and is considered one of the leading figures of the Romantic movement.  Byron spent his early years in Aberdeen, and was educated at Harrow School and Cambridge University. In 1809, he left for a two-year tour of a number of Mediterranean countries. He returned to England in 1811, and in 1812 the first two cantos of 'Childe Harold's Pilgrimage' were published. Byron became famous overnight. In the wake of Childe Harold’s enormous popularity, Byron was lionized in Whig society. The handsome poet was swept into a liaison with the passionate and eccentric Lady Caroline Lamb, and the scandal of an elopement was barely prevented by a friend She was succeeded as his lover by Lady Oxford, who encouraged Byron’s radicalism.

In 1814, Byron's half-sister Augusta gave birth to a daughter, almost certainly Byron's. The following year Byron married Annabella Milbanke, with whom he had a daughter, his only legitimate child. The couple separated in 1816.  Facing mounting pressure as a result of his failed marriage, scandalous affairs and huge debts, Byron left England in April 1816 and never returned.

He contracted a fever from which he died in Greece in 1824. Deeply mourned, he became a symbol of disinterested patriotism and a Greek national hero. His body was brought back to England and, refused burial in Westminster Abbey, was placed in the family vault near Newstead. Ironically, 145 years after his death, a memorial to Byron was finally placed on the floor of the Abbey.

 'Childe Harold’s Pilgrimage' was published between 1812 and 1818. Dedicated to "Ianthe", it describes the travels and reflections of a world-weary young man, who is disillusioned with a life of pleasure and revelry and looks for distraction in foreign lands. In a wider sense, it is an expression of the melancholy and disillusionment felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras.