“Lots of women are intellectually more clever than lots of men…” .
Boty was a British painter and co-founder of the 1960s' British Pop art movement of which she was the only acknowledged female member. Boty's paintings and collages often demonstrate a joy in self-assured femininity and female sexuality, as well as criticism (both overt and implicit) of the "man's world" in which she lived. Her rebellious art, combined with her free-spirited lifestyle, has made Boty a herald of feminism.
Pauline Boty Oil on Linen 70×60 cm
Her unique position as Britain's only female Pop artist gave Boty the chance to redress sexism in her life as well as her art. Her early paintings were sensual and erotic, celebrating female sexuality from a woman's point of view. Her canvases were set against vivid, colourful backgrounds and often included close-ups of red flowers, presumably symbolic of the female sex. She exhibited in several group shows before staging her first solo exhibition at Grabowski Gallery in the autumn of 1963. The show was a critical success. Boty also took acting jobs supplement her income even making a brief appearance in a scene with Michael Caine in the 1966 film, Alfie.
In 1965 Boty became pregnant. During a prenatal exam, a tumour was discovered and she was diagnosed with cancer. She refused to have an abortion and also refused to receive chemotherapy treatment that might have harmed the foetus. Her daughter, Katy was born on 12 February 1966. Pauline Boty died at the Royal Marsden Hospital on 1 July that year. She was 28 years old. Her daughter, died of an overdose on 12 November 1995 aged 29. On 1 July 2023, a Blue Plaque was erected for Boty at 7A Addison Avenue, Holland Park at her former home and studio. The unveiling was carried out by Natalie Gibson and Celia Birtwell with Sir Peter Blake in attendance alongside other friends, family and admirers of Boty.
Pauline Boty Oil on Linen 35x30 cm