OVID'S METAMORPHOSES Ii
I continue to experiment with painterly interventions with the figure; taking extant historical paintings, sculpture and prints as a starting point my aim is to deconstruct and abstract the original imagery searching for a fusion between realism and abstraction that retains the subject's identity while at the same time creating an image with contemporary relevance (many of the myths are creation/moral messages that could be tied to current concerns over society and the environment).